2459 безплатни аудиофайлове за "Unexpected Item In Bagging Area"

Sonata b minor, Domenico Scarlatti, Kirkpatrick 87, Kirnberger temperament, digital harpsichord (Yamaha CLP-470) Sonate h-Moll, Domenico Scarlatti, Kirkpatrick 87, Kirnberger-Stimmung, digitales Cembalo (Yamaha CLP-470)

Part 10 (a drum cadence followed by "National Emblem") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 20 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

Alice in Wonderland performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 11 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Staff Sergeants Debra Jamison, vocalist Staff Sergeant Scott Vignassi, trumpet

Valley of Yah performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 15 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Staff Sergeant Sam Johnson, tenor saxophone

Ort: Vapsten (sameby) / Tärna (socken)

World War V performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 13 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Airman First Class Kevin Burns, trumpet

Sveriges Radios folkmusikinspelningar. Författarträff i Brottby Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 56/10198:2:1

Beautiful Ohio, official song of the U.S. state of Ohio as sung by Ruth Lenox (pseudonym for Marie Morrisey) and Henry Burr, composed by Mary Earl (pseudonym for Robert King) and Ballard Macdonald, published ca. January 1919.

Title/Work: Sonata No.18 in E-flat major Opus 31 No.3 Content: No.3: 2nd Movement (1st part) - Scherzo (Allegro vivace) Genre(s): Piano sonata Author(s)/(Composer(s): Ludwig van Beethoven (1770-1827) Music arranger(s): none Lyricist(s): none Performer(s): Pianoforte solo: Claudio Arrau (1903-1991) Conductor: none Place of recording: London, EMI Studio No. 3, Abbey Road 1st release date: 1947 1st recording date: 10 January 1947

Sveriges Radios folkmusikinspelningar. Författarträff i Brottby Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 56/10198:7:7

Elite Syncopations by Scott Joplin. MIDI file by Mutopia Project was based on reproduction of the originally published sheet music whose copyright has expired, and has been released to public domain as well.

Ort: Umbyn (sameby) / Stensele (socken)

Jazz me Blues is an jazz composition written by Tom Delaney. Considered to be a jazz standard[1]. This instrumental version is recorded by Original Dixieland Jass Band on May 3, 1921 in New York[2]

Das Ave Maria von Lourdes

«Гимн свободной России». Музыка Александра Гречанинова. Слова Константина Бальмонта. Исполняют Федор Орешкевич и оркестр фирмы «Экстрафон». Киев, 1917.

Piano Concerto No. 1 in C major, Op. 15, 1st movement – Allegro con brio

Part 6 (three ruffles and flourishes and "General's March") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 16 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

한국어: 세기말의 노래

Part 7 (four ruffles and flourishes and "General's March") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 16 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

Part 4 (one ruffle and flourish and "General's March") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 14 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

flute concerto in g major, k. 313 - i. allegro maestoso

This song is based on melody of the Italian song Bandiera rossa. It was released on a cassette tape prepared by the Organization of Struggle for the Emancipation of the Working Class and released in Iran circa 1980.

The Way Things Ought to Be performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 9 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Staff Sergeant Scott Vinassi, trumpet Airman Farid Barron, piano

Crows Nest performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 8 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Senior Airman Dave Bandman, trombone

Part 3 (a drum cadence) of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 13 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 1st Movement: Allegro (1st Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 27-29 September 1928

Mazurek Dąbrowskiego, the national anthem of Poland, performed by the U.S. Navy Band. Mazurek Dąbrowskiego, hymn Polski Mazurka de Dąbrowski , hymne national polonais Mazurek Dąbrowskiego, himno nacional de Polonia Magyar: Dąbrowski Mazurka, Lengyelország himnusza Română: Mazurek Dąbrowskiego, imnul de stat al Poloniei Mazurek Dąbrowskiego, polnische Nationalhymne Čeština: Mazurek Dąbrowskiego, polská hymna Slovenčina: Mazurek Dąbrowskiego, poľská hymna

*14 steps in 15 equal temperament on C = B↓ (Easley Blackwood's notation). Equal-tempered: 214/15:1 = 1120 cents. MIDI pitch bend: 51,70 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~179,69 on B.

*13 steps in 16-et on C = A♯ (Easley Blackwood's notation). Equal-tempered: 213/16:1 = 975 cents. MIDI pitch bend: 0,56

Ich glaub an Gott in aller Not, Gotteslob (2013) Freiburg/Rottenburg-Stuttgart 855

*2 steps in 9 equal temperament on C on C = ??. Equal-tempered: 22/9:1 = 266.67 cents. MIDI pitch bend: 42,53

*1 steps in 19 equal temperament on C = C♯ (Easley Blackwood's notation). Equal-tempered: 21/19:1 = 63.16 cents. MIDI pitch bend: 26,84 Created in Sibelius with midi pitch bend on 52 for 62.5 cents rather than 63.16. New version a PU on 26,84 for 63.134765625 cents.

*19 steps in 21-et on C = B♭↑ (Easley Blackwood's notation). Equal-tempered: 219/21:1 = 1085.71 cents. MIDI pitch bend: 54,59

*2 steps in 19 equal temperament on C = D♭ (Easley Blackwood's notation). Equal-tempered: 22/19:1 = 126.32 cents. MIDI pitch bend: 54,72 Created in Sibelius with midi pitch bend on 72 for 125 cents rather than 126.32. New version a m2 on 53,72 for 126.2939453125 cents rather than 126.32.

Io non ho che una povera stanzetta from act 2 of Ruggero Leoncavallos opera La bohème (1897), sung by Enrico Caruso in 1911. It is probably best to make this explicit: This is NOT from Puccini's La bohème. Ruggiero Leoncavallo, Puccini's contemporary, also made an opera based on the same stories, with the same name. While Puccini's version proved wildly popular, Leoncavallo's faded into obscurity. This is Matrix # C-11276 recorded 26 November 1911 (details)

Traditional Lebanese oud played by Chahadé Saadé. Odeon record n° X35285, matrix n°: xES 381 [1].

Valsa choro "Plangente", composed by Chiquinha Gonzaga in 1877 [1] and executed by the Grupo Chiquinha Gonzaga (Flute: Antonio Passos. Guitar: Tute. Cavaquinho: Nelson Alves). Recorded in 1912.

*15 steps in 16-et on C = B (Easley Blackwood's notation). Equal-tempered: 215/16:1 = 1125 cents. MIDI pitch bend: 0,72

Traditional Basque music played by Txistularis Hermanos Landaluce y Sr. Elola. Recorded by H.E. Davidson in Barcelona. HMVrecord. Coupling Number: AE 2467. Face Number: 2-260706. Matrix Number: BJ1692. [1]

Traditional Turkish music played by Ahmed Djewdet. Polydor record n° V 43163. Matrix n° 243 Bn. [1]

Singen wir mit Fröhlichkeit, Gotteslob (1975) 135; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 736

*2 steps in 15 equal temperament on C = D↓ (Easley Blackwood's notation). Equal-tempered: 22/15:1 = 160 cents. MIDI pitch bend: 26,51

*13 steps in 15 equal temperament on C = A↑ (Easley Blackwood's notation). Equal-tempered: 213/15:1 = 1040 cents. MIDI pitch bend: 102,108 on M6 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~102,76 on Bb.

*11 steps in 19 equal temperament on C = G♮ (Easley Blackwood's notation). Equal-tempered: 211/19:1 = 694.74 cents. MIDI pitch bend: 40,62 Created in Sibelius with midi pitch bend on 94 for 693.75 cents rather than 694.76. New version a TT on 40,94 for 694.7265625 cents rather than 694.76.

*15 steps in 17 equal temperament on C = A♯ (Easley Blackwood's notation). Equal-tempered: 215/17:1 = 1058.82 cents. MIDI pitch bend: 106,50

*1 step in 17 equal temperament on C = D♭ (Easley Blackwood's notation). Equal-tempered: 21/17:1 = 70.59 cents. MIDI pitch bend: 75,54 17 tone equal temperament is the tempered scale derived by dividing the octave into 17 equal steps (equal frequency ratios). Each step represents a frequency ratio of 21/17, or 70.6 cents.

*11 steps in 16-et on C = G♯ (Easley Blackwood's notation). Equal-tempered: 211/16:1 = 825 cents. MIDI pitch bend: 76,57

*10 steps in 19 equal temperament on C = G♭ (Easley Blackwood's notation). Equal-tempered: 210/19:1 = 631.58 cents. MIDI pitch bend: 13,74 Created in Sibelius with midi pitch bend on 74 for 631.25 cents rather than 631.6. New version a TT on 13,74 for 631.5673828125 cents rather than 631.6.

Mozart's song "Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte", K. 520

The Ballad of Rodger Young is an American war song by Frank Loesser, written and first performed during World War II in March 1945.